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I'm still Wating for Genos 2

Started by Mike2, February 07, 2022, 06:37:41 PM

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Mike2

I know this subject may be more than, interesting for many.  But I think for most, like myself, you can't ignore the future, and what Yamaha will come out with next. Think about your Genos that some of you now own, and try to imagine, something better.  It's hard for me, but technology never stops. My big thing with keyboards, all the way back to my first, Technics 600, is the styles and the voices along with everything else you can do.  No, I am not bored with my Genos, just being a realist, and very curious as to, what can they improve on.  For me it's styles and many more things.  I will wait patiently!!

J. Larry

What would get my attention, for sure, if there's a major break-through on more realistic styles and voices.  They're good now; but, how about styles that approximate real (live) musicians?  Styles and voices are the reason I buy arranger keyboards----none of the other features.  I'm ready to hear human voices in an arranger----something we've not seen or heard before.  Maybe the technology is not there yet.  Sort of like self-driving cars. 

Amwilburn

For starters I want blue tooth (audio & midi) on the Genos. Yes, wifi (already on Genos) is much, much faster than blue tooth. But if they added bluetooth, you could leave your wifi connected to your router, not pairing your genos and your smart device (which then forces you to surf the net via mobile data... not very practical with YouTube!) Yes you're supposed to be able to set both to the same router, but it's just so much simpler to have separate blue tooth for audio streams (even though delayed by a sec).

And would it kill them to have a mod wheel *and* a joystick? The mod wheel isn't redundant; it's great for variable data when the data needs to 'sit' at once spot, like piano lids, EP pickupdistance, string fades.

And of course, even 3GB isn't enough (well, it is, but we could also fill more!)

There's a vocaloid keyboard from Yamaha (and I believe Casio just released one as well) which hopefully will eventually be able to bring human voices to keyboards, so yeah, why not include in G2?


DerekA

Quote from: Amwilburn on February 07, 2022, 08:35:30 PM
And would it kill them to have a mod wheel *and* a joystick? The mod wheel isn't redundant; it's great for variable data when the data needs to 'sit' at once spot, like piano lids, EP pickupdistance, string fades.

Remember you can assign MOD to a knob or a slider, which will stay where you put it without needing a 'hold' button
Genos

Mike2

I also agree that Styles and voices are the reason I buy arranger keyboards.  With the Genos there are so many things one can do.  In my case, I don't read music and depend on the styles and voices. I also hope that the new Genos has more Free Play like EtherealVoices.  These I use for my liturgical music. I also would like more Dedicated Styles for certain songs. Wondering if this has Copy Right Laws.  But with the Genos, there is always a style that you can adjust for every song. The Genos strings are great, but the next Keyboard, I am sure will be better. I am not a piano player, but use the voice at times, and would love to see an improvement on this. I would also like the screen to be 5 x 9 inches. The space is already taken, and this size would help in adding more info per page, or larger.  I guess being retired fully for the first this winter, gives me more time to think and wish!

EileenL

Don't forget you can always use the Modulation Hold and the effect will stay until you take it off.
Eileen

JohnS (Ugawoga)

Hi
I think it is about time Yamaha got us all exited again.
New Genos , better software for making styles and more room for top samples

All the Best
John :)
Genos, I7 computer 32 gig ram, Focusrite 6i6, Cubase controller, Focal Alpha Monitors, Yamaha DXR8 Speakers
Cubase 10, Sonarworks, Izotope.  Sampletank, Arturia and Korg software.  Now IK Mixbox

rodrigo.b

I don't have a Genos but I have a CVP-809 (which has a lot of sounds and features coming directly from Genos) and  I love my CVP-809 but there are things I think that can be improve. MegaVoice is an old technology and I think now you can get better results with VST instruments, so I hope the new Genos will have a better technology for strumming guitar sounds and electric guitar sounds. I also want more drums sounds because again now with VST instruments you even can get drum sounds recorded by audio legends like Al Schmitt. The last thing I want on the Genos 2 is the ability to create high quality voices (MegaVoices, Super Articulation 2 voices, Revo!, etc) and the ability to easily create high quality styles like the factory styles.

Mike2

Yes I agree...guitar strumming sounds.  I would also like more vocal singing choices.  It takes so long to find anything for myself. If they could have presets that are made for certain songs, that would be also an improvement.  I also wouldn't mind a different look.  I would rather get more quality than appearance.  This Yamaha shell that encases so much technology is pretty basic at best. Lighten it up a bit. How much can a shell cost.  I would rather have the Tyros 5 look, silver gray. When I play at night all I see is a city of small lights.  The rest is soooo dark. But once again these are my wishes, and so far I agree with all the feedback.

overover

Quote from: Mike2 on February 08, 2022, 03:55:42 PM
... I also wouldn't mind a different look.  I would rather get more quality than appearance.  This Yamaha shell that encases so much technology is pretty basic at best. Lighten it up a bit. How much can a shell cost.  I would rather have the Tyros 5 look, silver gray. When I play at night all I see is a city of small lights.  The rest is soooo dark. But once again these are my wishes, and so far I agree with all the feedback.

Hi Mike,

Please remember that on Genos you can gradually reduce the brightness of the LED buttons if they are too dazzling when playing in a dark environment (in "Menu > Utility > Touch Screen/Display (Page 1/2) > Brightness > Button Lamps").

I basically set the LED brightness to the lowest level. Then you can definitely see the other panel controls better. :)


Best regards,
Chris
● Everyone kept saying "That won't work!" - Then someone came along who didn't know that, and - just did it.
● Never put the Manual too far away: There's more in it than you think! ;-)

John T4

I would like the Genos 2 to have a proper digital interface so it can connect direct to the PC and a DAW with , maybe 4 or 8 audio input and outputs.
would make a great controller and awesome sound machine, with all the sliders mapped to the DAW etc...

john

Lee Batchelor

Here's my list wish:

   Definitely ditch the existing outer case. It shows every bit if dust, is not robust, and is not the least bit durable. For such a high end keyboard, Yamaha pooped the bed on the case design. I honestly think Casio makes a better case.
   The style creator is still clunky. It needs refinement.
   Software that communicates perfectly with any DAW. This would open the creative doors for a lot of us, especially for style creation and editing.
   Smooth out the OS functions. Working with the basic functions is like watching a pig on stilts. Use more conventional navigation schemes and functions that match our existing PC and Mac schemata.
   The Voice EQ section is antiquated with its Low and High settings. There are so many ways we could clean up some of the solo voices with sweepable mids and perhaps multiband EQ, and not just the global one.
   Make the Home screen configurable. For me, 80% of the information on the Home screen is just in the way. I need primary functions all in one place.

Yamaha has done a stellar job in creating such a professional sounding keyboard in the Genos. However, they are still so resistant to providing professional level tools. The marketing people still think we all sit in our living rooms and play alone or perhaps for a few friends and loved ones. That's fine. I agree but if you're going to produce a keyboard that is suitable for the big stage, then make sure it has the required tools to let it be rated as a pro-level instrument. I honestly believe the marketing guys are stifling any of the aforementioned tools in fear of sabotaging sales of the Montage series. That makes no sense at all. The Montage and Genos are worlds apart in most ways.

Edit
I used an external editor for creating an unordered list for this topic because the forum's list creator is so clunky. The HTML editor in this forum's software couldn't read the universally accepted HTML code. Sorry for the little squares :o.
"Learn" your music correctly, then "practice" it. Don't practice mistakes because you'll learn them.

Mike2

Lee, I agree with you.  You articulated your point very well.  The shell is a mess and many of the things you mentioned as well.
Being French, my English explanations takes the long route.  You are right on the money. Thanks..

JohnS (Ugawoga)


The thing is -- Is a new Genos in design yet!!????
It is weird that we have not heard a little whisper.

All the Best
John
Genos, I7 computer 32 gig ram, Focusrite 6i6, Cubase controller, Focal Alpha Monitors, Yamaha DXR8 Speakers
Cubase 10, Sonarworks, Izotope.  Sampletank, Arturia and Korg software.  Now IK Mixbox

ckobu

@John - I doubt Yamaha is planning anything new soon. These are wish lists to break the monotony while we wait for the news ...  ;D

This is my 20-point list, and the video shows each one in more detail. (English subtitle)

01. Mixer controls for Multi Pad       
02. View Content of Registration       
03. Numeric selection for Playlists     
04. Style Creator - Realistic listening
05. Style Creator - Chord switching     
06. Style Creator - Different measures
07. Software for creating Styles       
08. Bug with insert effect on VH2       
09. Drum Edit on the Song Edit         
10. Scale with Note Shift - TERCA       
11. Enable Midi control for Transpose
12. Implementation of MIDI 2.0.0
13. YEM - backup with one click         
14. YEM - creating audio loop
15. YEM - creating MV and S.Art voices
16. External monitor without converter
17. Lift screen with contrast adjustment
18. Better quality top panel
19. Unison&Accent and Smart Chord
20. Audio interface

https://youtu.be/hAWWso-kwC4
Watch my video channel

Fred Smith

There's only two things I want in a new keyboard:

1. Seamless sound switching (getting rid of the annoying clash when switching DSP voices)
2. Registration group memory (after pressing the Memory button, the boxes checked should be the ones memorized in the loaded registration)

The rest is all gravy, or features I wouldn't likely use.

Cheers,
Fred
Fred Smith,
Saskatoon, SK
Sun Lakes, AZ
Genos, Bose L1 compacts, Finale 2015
Check out my Registration Lessons

Mike2

Does anyone know why most all keyboards are black and similar in that color?  Like why?  There was an example on here for the Genos, with woodgrain and added feature looks, but I can't remember. But it was a nice design for the future. Even your old style organs, yes mostly wood, but a warm feeling to sit down to and play. I understand the sound and technology come in first, but I can't see the expense with today's artificial woodgrains and the like, that they can't come up with something better.

Patrick

Hi, for me  instead of "External monitor without converter", i would prefer an application to control the genos or the Sx900 with an Ipad; we'll have a better and bigger touch screen; All the best Patrick  :)

ckobu

Hi Patrick,
That's right, the emphasis is on Android and iPad apps and connecting via wireless or bluetooth. The converter now needed for an external display is totally nonsense.

[attachment deleted by admin]
Watch my video channel

ton37

And ... rhe possibility to setup your own "Homescreen' (like on the Technics Kn7000) with that ergonomic Tilt-screen/display ... yeah
My best regards,
Ton

Mike2

Yes that would be an improvement. I owned the Technics KN-7000 for 6 years.
Tilting the screen helps in many ways. Once again...this is a wish list. I enjoy the feedback so far.
I think it's great to think ahead, and even hope for something better.  Without hope life stops to have meaning.
Keep it coming...

Lee Batchelor

Is there any way to get all these ideas to somebody at Yamaha who actually listens?
"Learn" your music correctly, then "practice" it. Don't practice mistakes because you'll learn them.

GregB

Hi all,

I sure end up scratching my head about Yamaha's choices with their instruments.  I'm not in the market for a Genos-class instrument, but I have been studying a bit looking for an eventual upgrade for my S950.  I was frustrated enough at some of Yamaha's decisions that I went back to looking at Korg's arranger offerings.  The PA-1000 appears pretty nice, but it lacks sub/aux outs, which would also nix it for me for my next board.  Korg can improve the software all they want, but that won't add jacks to the back panel. :)

Plus, simple omissions like the absence of a USB audio interface in the SX900 and even Genos are just mind-boggling.  Or the inability to improve the sustain of the piano sound with the envelope controls - though I've not tried that on an SX900 yet.  It's like someone at Yamaha is reminding their designers, "Don't make this one too good, or we'll never sell the next one".  To me that sounds more like an innovation death knell than anything else.

As a songwriter, I really like arranger boards, to try out ideas; I like the flexibility of having the style-driven accompaniment available for certain uses; and the onboard speakers are great for portability.  If it weren't for those things, I'd probably be much happier with a MODX or whatnot instead since I also tend to be fairly technical.  But the really odd omissions from the arrangers just puzzle me.  Or, perhaps I'm the one who's the oddball. ;)

I'm hoping that a market disruption will come along soon, maybe from Medeli or whatnot, to force a burst of innovation - and customer awareness - from Yamaha to justify their market position.

And - I'd like to see how they are in compliance with the GPL software license on the Genos and SX boards.  But I haven't found evidence of that yet.

- Greg
PSR-S950
PSR-520
1920 Bush & Lane Upright Grand

Lee Batchelor

To Greg's point...

I think so much of what goes into our keyboards is dictated by the marketing people. That's fine so long as they make decisions based on customers' needs, requests, and musical necessities as requested by actual players with fistfuls of money. They can't make decisions based on previous sales figures, charts, and projections by those with business degrees. How many marketing people at Yamaha are actual musicians? I'd wager darn few. Creating and selling these keyboards is not just a business and numbers game. And to be fair, I think Yamaha has listened to our requests in the past but the only reason our requests made it to our finger tips was because the marketing people stayed the heck out of the way.

Yamaha has NEVER been in the business of making musical instruments. Make no mistake about that. They were always in the business of making money. So, marketing people will very often get in the way of the design features that the real experts (us) need and want. They constantly look at where the balance point resides - with the customers' wants and the company's bottom line.

One item I think Yamaha must take a hard look at is their price point. The Genos is currently selling in Canada for $6,500 without the speakers! There are likely better deals but they're few and far between. I know it costs a bundle to release a new product in any business but with successive models, I would hope the price point would come down because a lot of the heavy lifting has been done.

Personally, I don't see why Genos II couldn't be sold at a price point of around $4,500. Let's face it. There is no REAL money in music unless you strike it big in the industry. Even then, those jobs come and go in a heartbeat and are reserved for the elite players. The market for this product is largely the hobbyist from the Baby Boom generation - the wealthiest generation in the planet's history. The subsequent generations have lots of money but the difference is, they have credit, whereas we have wealth. Big difference!

Yamaha must keep that in mind and not price themselves off the face of the earth.
"Learn" your music correctly, then "practice" it. Don't practice mistakes because you'll learn them.

overover

Quote from: GregB on February 10, 2022, 12:19:38 AM
... Plus, simple omissions like the absence of a USB audio interface in the SX900 and even Genos are just mind-boggling.  Or the inability to improve the sustain of the piano sound with the envelope controls - though I've not tried that on an SX900 yet.  ...

Hi Greg,

When you say "improve the sustain of the piano sound" do you mean changing the sound so that the sound decays to silence more slowly after the key is released?

You can easily do this on any Yamaha arranger model by slightly increasing the "Release" value (= Release Time) in the EG (Envelope Generator). See also the attached picture.

You can either save the changed voice in Voice Edit / Voice Set as a User Voice, or you can memorize it directly in Registrations.


Best regards,
Chris

[attachment deleted by admin]
● Everyone kept saying "That won't work!" - Then someone came along who didn't know that, and - just did it.
● Never put the Manual too far away: There's more in it than you think! ;-)

JohnS (Ugawoga)

Hi
The biggest improvement for mewould be an easy style making program and editing from Yamaha.
A massive memory for samples.
It would be nice to load banks of sounds and styles in rather than Yem and individually as well.
I find everything else ok :)


All the best
John :)
                       Ps Definitely a better build and no button fading
Genos, I7 computer 32 gig ram, Focusrite 6i6, Cubase controller, Focal Alpha Monitors, Yamaha DXR8 Speakers
Cubase 10, Sonarworks, Izotope.  Sampletank, Arturia and Korg software.  Now IK Mixbox

soundphase

I would love there is no awful sound hiccups at a registration number/part switch, when sounds and DSP effects are completely different between registration numbers/parts.

It's often possible to minimize sound impact by carefully choosing the parts, the sounds, and the DSP effects on the 2 registration numbers/parts. But it's not always possible to do so.
For me, that makes the Genos is always not a "professional" tool.


I would like to have a new generation of voices (with round-robin and some random effects) closer to the quality of Virtual Instruments banks

Lee Batchelor

QuoteI would love there is no awful sound hiccups at a registration number/part switch, when sounds and DSP effects are completely different between registration numbers/parts.
Didn't Yamaha solve that problem on the earlier keyboards like the Tyros? If they did, why has it lingered or resurfaced on their top arranger? It is a pain in the backside for sure. You can almost blow speakers with some of the audio artifacts created by switching too soon!!
"Learn" your music correctly, then "practice" it. Don't practice mistakes because you'll learn them.

Lee Batchelor

Agreed, John. There needs to be a better build quality. I have no idea why Yamaha cheaped out on this. Oh wait - yes I do. It's called "profit."
"Learn" your music correctly, then "practice" it. Don't practice mistakes because you'll learn them.

rcs1966

Hi everybody,

My suggestions Genos 2.

Operations
•   12" tiltable High Definition screen
•   More onboard memory

Multi Pads
•   6 Multi Pads
•   Each pad to have on/off "one press" capability (rather than two presses or work arounds)

New Functions
•   Ability to convert midi files to styles

Construction
•   New sleek black metallic look.
•   Non fade operating buttons.
•   Do not discolor the area around the buttons

Output
•   external screen display - JPG, PDF, BMP - Ex .: printed sheet music.
•   Rotate an external screen image 90 degrees

Midi player
•   double sequencer

Drum set
•   multiple REVO drums - e.g., Standard, Dance, Folk, Live,
•   Audio Drums and audio sounds. PL .: Sample Creator

Slide potentiometers
•   self-adjusting motor knobs

Thanks